The latter is something accessible to anyone who is disabled, whether they were of a spiritual vocation or not, and regardless of their particular spirituality. I find that engaging in the creative endeavor always brings me closer to God because God is the creator, and when I'm creating, I'm in unity with him. Additionally, since visual arts are my primary medium, I'm always working with the beauties of creation. Those are both dynamics which anyone who is disabled or suffering can engage in, and I highly urge you to do so.
Color, full sized
Only "fx" a bit of sharpening. Photo when taken was under exposed with fill flash, right after a heavy rain.
Mono, full sized
>Converted to black and white by Floyd–Steinberg dithering, setting = 19
Color, half sized
Mono, half sized
There are many interesting aspects about this project.
To begin with, this started with a suggestion from a friend that I do Job 19:26. I agreed, its a great verse and often used in funeral liturgies, but when I looked at the context, I was taken with the previous (this) verse as well. It is the most beautiful expression of the Gospel in the Old Testament. Initially I thought to do both verses in one image, but that would have been too cluttered- neither the words nor the images would have been of a size to be worthwhile.
So how is it that I wound up doing this verse first? I worked backwards. I had been sitting on the request to do Job 19:26 for a couple of months. Then last week I took a picture of a cosmos withered up not at all thinking of the verse, but just because it was visually compelling. When I looked at the pictures though the verse immediately came to mind.
When I realized I wanted to do verse 25 as well I had to find a picture of the same flower with the same tone as the withered one. Here's where the story gets exciting (for me anyway)
I picked out eight candidates and reviewed them with my wife this afternoon. This photo was her immediate choice and I concurred. I had thought to leave it with that and proceed to do the requested verse first, but somehow this photo and the verse grabbed hold of me... and 10 minutes later, it was done except for adding in the credits and doing the reduced colors and sized versions.
I've never had a word picture come together so quickly, nor have I ever been so pleased. The words just naturally flowed around the shape of the flower. It was magical. Not only was I pleased with the end result, but I was pleased at how transparent to the process I became as I was doing it. I used to have that experience all the time before fibro took over my life, this is the first time I've had it in months.
I hope to do verse 26 soon so you can see them as I do in my mind, as a pair. The verses go SO well together and so will the finished projects.
Administrivia:
This is in landscape mode and I do not plan on doing a portrait mode unless asked because of how well the words flowed around the image. I can't image a portrait format being as artistically perfect, but if needed I will give it a try.
I usually create multiple monochrome versions. In this case though, with the dark and deeply saturated original, I am not going to. It was hard enough to get one good one. This image is a PERFECT example of why I go to the extra effort to create monochrome versions. When I printed the color image to my B&W laser printer, it was a disaster.
At the moment the images are only on Multiply and Facebook. I do plan to upload them to the other sites where I make my "Word Pictures" available but I'm worn out right now... doing things on the web still takes a lot out of me, so that will have to await another day. I'll probably wait until I have the image for verse 26 before I do those uploads.
Improved, MUCH better monochrome version
This goes again to show why I put the extra effort into creating high quality monochrome versions of my Word Pictures ... the previous mono versions looked great on the screen but when I printed them they were ugly and muddled.
half size
So I simply inverted the colors ("negative" in most software) and replaced the black "F" with white in the "For" because when I printed the invert the first time the "F" was not as clear as I'd like.
The same trick could be applied to any of my previous mono versions which are darker. I've come to see that monochrome versions need to be predominately white with black details. One is always learning as long as one is living.
half size
